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• 研究室週報 - Jobs' Commencement Speech

  https://w.atwiki.jp/fujirep/pages/33.html

  Thank you. I m honored to be with you today for your commencement from one of the finest universities in the world. Truth be told, I never graduated from college and this is the closest I ve ever gotten to a college graduation. Today I want to tell you three stories from my life. That s it. No big deal. Just three stories. The first story is about connecting the dots. I dropped out of Reed College after the first six months but then stayed around as a drop-in for another eighteen months or so before I really quit. So why did I drop out? It started before I was born. My biological mother was a young, unwed graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife, except that when I popped out, they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking, "We ve got an unexpected baby boy. Do you want him?" They said, "Of course." My biological mother found out later that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would go to college. This was the start in my life. And seventeen years later, I did go to college, but I naïvely chose a college that was almost as expensive as Stanford, and all of my working-class parents savings were being spent on my college tuition. After six months, I couldn t see the value in it. I had no idea what I wanted to do with my life, and no idea of how college was going to help me figure it out, and here I was, spending all the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back, it was one of the best decisions I ever made. The minute I dropped out, I could stop taking the required classes that didn t interest me and begin dropping in on the ones that looked far more interesting. It wasn t all romantic. I didn t have a dorm room, so I slept on the floor in friends rooms. I returned Coke bottles for the five-cent deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example. Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer was beautifully hand-calligraphed. Because I had dropped out and didn t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later when we were designing the first Macintosh computer, it all came back to me, and we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts, and since Windows just copied the Mac, it s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on that calligraphy class and personals computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college, but it was very, very clear looking backwards 10 years later. Again, you can t connect the dots looking forward. You can only connect them looking backwards, so you have to trust that the dots will somehow connect in your future. You have to trust in something--your gut, destiny, life, karma, whatever--because believing that the dots will connect down the road will give you the confidence to follow your heart, even when it leads you off the well-worn path, and that will make all the difference. My second story is about love and loss. I was lucky. I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was twenty. We worked hard and in ten years, Apple had grown from just the two of us in a garage into a $2 billion company with over 4,000 employees. We d just released our finest creation, the Macintosh, a year earlier, and I d just turned thirty, and then I got fired. How can you get fired from a company you started? Well, as Apple grew, we hired someone who I thought was very talented to run the company with me, and for the first year or so, things went well. But then our visions of the future began to diverge, and eventually we had a falling out. When we did, our board of directors sided with him, and so at thirty, I was out, and very publicly out. What had been the focus of my entire adult life was gone, and it was devastating. I really didn t know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down, that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure and I even thought about running away from the Valley. But something slowly began to dawn on me. I still loved what I did. The turn of events at Apple had not changed that one bit. I d been rejected but I was still in love. And so I decided to start over. I didn t see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods in my life. During the next five years I started a company named NeXT, another company named Pixar and fell in love with an amazing woman who would become my wife. Pixar went on to create the world s first computer-animated feature film, "Toy Story," and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT and I returned to Apple and the technology we developed at NeXT is at the heart of Apple s current renaissance, and Lorene and I have a wonderful family together. I m pretty sure none of this would have happened if I hadn t been fired from Apple. It was awful-tasting medicine but I guess the patient needed it. Sometimes life s going to hit you in the head with a brick. Don t lose faith. I m convinced that the only thing that kept me going was that I loved what I did. You ve got to find what you love, and that is as true for work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work, and the only way to do great work is to love what you do. If you haven t found it yet, keep looking, and don t settle. As with all matters of the heart, you ll know when you find it, and like any great relationship it just gets better and better as the years roll on. So keep looking. Don t settle. My third story is about death. When I was 17 I read a quote that went something like "If you live each day as if it was your last, someday you ll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself, "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "no" for too many days in a row, I know I need to change something. Remembering that I ll be dead soon is the most important thing I ve ever encountered to help me make the big choices in life, because almost everything--all external expectations, all pride, all fear of embarrassment or failure--these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. About a year ago, I was diagnosed with cancer. I had a scan at 7 30 in the morning and it clearly showed a tumor on my pancreas. I didn t even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctors code for "prepare to die." It means to try and tell your kids everything you thought you d have the next ten years to tell them, in just a few months. It means to make sure that everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes. I lived with that diagnosis all day. Later that evening I had a biopsy where they stuck an endoscope down my throat, through my stomach into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated but my wife, who was there, told me that when they viewed the cells under a microscope, the doctor started crying, because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and, thankfully, I am fine now. This was the closest I ve been to facing death, and I hope it s the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept. No one wants to die, even people who want to go to Heaven don t want to die to get there, and yet, death is the destination we all share. No one has ever escaped it. And that is as it should be, because death is very likely the single best invention of life. It s life s change agent; it clears out the old to make way for the new. right now, the new is you. But someday, not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it s quite true. Your time is limited, so don t waste it living someone else s life. Don t be trapped by dogma, which is living with the results of other people s thinking. Don t let the noise of others opinions drown out your own inner voice, heart and intuition. They somehow already know what you truly want to become. Everything else is secondary. When I was young, there was an amazing publication called The Whole Earth Catalogue, which was one of the bibles of my generation. It was created by a fellow named Stuart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late Sixties, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and Polaroid cameras. it was sort of like Google in paperback form thirty-five years before Google came along. I was idealistic, overflowing with neat tools and great notions. Stuart and his team put out several issues of the The Whole Earth Catalogue, and then when it had run its course, they put out a final issue. It was the mid-Seventies and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath were the words, "Stay hungry, stay foolish." It was their farewell message as they signed off. "Stay hungry, stay foolish." And I have always wished that for myself, and now, as you graduate to begin anew, I wish that for you. Stay hungry, stay foolish. Thank you all, very much.

• elvis @Wiki - Subjects-Business&Investing-Economics-NaturalResources 161

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The Chemical History of a Candle Indypublish.Com?　Michael Faraday?　 Indypublish.Com?　MichaelFaraday?　ジャンル別?　Subjects-Science-Chemistry-General&Reference?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Technology and Watch Design Xlibris Corp?　Tim Flower?　 XlibrisCorp?　TimFlower?　ジャンル別?　Subjects-Arts&Photography-GraphicDesign-Commercial-General?　Subjects-Arts&Photography-GraphicDesign-Design-General?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Technology and Watch Design Xlibris Corp?　Tim Flower?　 XlibrisCorp?　TimFlower?　ジャンル別?　Subjects-Arts&Photography-GraphicDesign-Commercial-General?　Subjects-Arts&Photography-GraphicDesign-Design-General?　Subjects-Science-General　Subjects-Science-Technology-General&Reference The Gasoline Age-why? Authorhouse?　Herbert J. 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Kaye?　 Authorhouse?　HelgaKaye?　KeithW.Kaye?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-History?　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Technology-General&Reference Eyes on Ice No Blind Mice Visions of Science from the Science of Vision Authorhouse?　Saad Shaikh?　 Authorhouse?　SaadShaikh?　ジャンル別?　Subjects-Health,Mind&Body-General?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Eyes on Ice No Blind Mice Visions of Science from the Science of Vision Authorhouse?　Saad Shaikh?　 Authorhouse?　SaadShaikh?　ジャンル別?　Subjects-Health,Mind&Body-General?　Subjects-Science-General　Subjects-Science-Technology-General&Reference The Chemical History of a Candle Indypublish.Com?　Michael Faraday?　 Indypublish.Com?　MichaelFaraday?　ジャンル別?　Subjects-Engineering-Chemical-General?　Subjects-Professional&Technical-Engineering-Chemical-General?　Subjects-Professional&Technical-Medical-BasicSciences-Chemistry?　Subjects-Science-Chemistry-General&Reference?　Subjects-Science-Chemistry-ChemicalEngineering?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Computer Technology Encyclopedia Quick Ref Students/Profnls Heinle & Heinle Publishers?　 Heinle&HeinlePublishers?　ジャンル別?　Subjects-Science-Technology-General&Reference Managing Engineering and Technology Academic Internet Publishers?　Daniel L. 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Scholarly Journals in the New Digital World Univ of Calgary Pr?　Gerard Boismenu?　Guylaine Beaudry?　 UnivofCalgaryPr?　GerardBoismenu?　GuylaineBeaudry?　ジャンル別?　Subjects-Entertainment-PopCulture-General?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-SocialSciences-PopularCulture?　Subjects-Reference-Publishing&Books-General?　Subjects-Science-Technology-General&Reference Active Learning in the Digital Age Classroom Trifolium Books Inc?　Ann Heide?　Dale Henderson?　 TrifoliumBooksInc?　AnnHeide?　DaleHenderson?　ジャンル別?　 Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology?　Subjects-Nonfiction-Education-InstructionMethod?　Subjects-Nonfiction-Education-General?　Subjects-Professional&Technical-Education-General?　 Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology?　Subjects-Science-General　Subjects-Science-Technology-General&Reference The Blankenhorn Effect How to Put Moore's Law to Work for You Trafford?　Dana Blankenhorn?　 Trafford?　DanaBlankenhorn?　ジャンル別?　Subjects-Business&Investing-General?　 Subjects-Computers&Internet-WebDevelopment-InternetCommerce-InternetPublishing?　Subjects-Computers&Internet-Business&Culture-DigitalLaw?　Subjects-Computers&Internet-Business&Culture-Culture?　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Technology-General&Reference Creative Perspective W W Norton & Co Inc?　Robert W. 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Freeway An Appreciative Essay Univ of California Pr?　David Brodsley?　 UnivofCaliforniaPr?　DavidBrodsley?　ジャンル別?　Subjects-Engineering-Civil-Transportation&Highway?　Subjects-History-Americas-UnitedStates-State&Local-California?　Subjects-Nonfiction-SocialSciences-Sociology-Urban?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-Traffic&Safety?　 Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway?　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Technology-General&Reference Risk and Culture Univ of California Pr?　Mary Douglas?　Aaron Wildavsky?　 UnivofCaliforniaPr?　MaryDouglas?　AaronWildavsky?　ジャンル別?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-SocialSciences-HumanGeography?　Subjects-Nonfiction-SocialSciences-Sociology-Culture?　Subjects-Nonfiction-SocialSciences-Sociology-SocialSituations?　Subjects-Science-Technology-General&Reference　Subjects-Science-Technology-Risks? 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• キングダムハーツバースバイスリープファイナルミックス改造コードまとめ@ ウィキ - 場所移動

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  utSwXRk0氏のコピペです _C0 Room Mod _L 0x10347AC0 0x0000YYXX XX - World YY - Room Digits Code 旅立ちの地 [Land of Departure] XX = 01 YY - Room 01 - 前庭 [Vestibule] 02 - 大広間 [Reception Hall] 03 - ヴェントゥスの部屋 [Ventus s Room] 04 - ヴェントゥスの部屋 [Ventus s Room] 05 - 山道 [Mountain Path] 06 - 山頂 [Mountain Path] 07 - 前庭 [Vestibule] 08 - 前庭 [Vestibule] 09 - 大広間 [Reception Hall] 0A - 山頂(崩壊) [Mountain Path(Destroyed)] 0B - 目覚めの部屋 [Room of Awakening] 0C - 忘却の城 [Castle Oblivion] 0D - キャラ選択用 [Character Select Screen] 0E - 前庭(崩壊後) [Vestibule(Destroyed)] ドワーフ・ウッドランド [Dwarf Woodlands] XX = 02 YY - Room 01 - 鉱山 入口 [Mine Entrance] 02 - 鉱山 採掘場 [Mine Mining Area] 03 - 地下広間 [Underground Hall] 04 - 鏡の間 [Mirror Room] 05 - 地下水路 [Underground Canal] 06 - 中庭 [Courtyard] 07 - 花畑 [Flower Garden] 08 - 暗い森 [Dark Forest] 09 - 鏡の中 [Inside the Mirror] 0A - ドワーフの家 [The Dwarfs House] 0B - ドワーフの部屋 [The Dwarfs Room] 0C - 山道 [Mountain Path] キャッスル・オブ・ドリーム [Castle of Dreams] XX = 03 YY - Room 01 - シンデレラの部屋 [Cinderella s Room] 02 - ねずみの通り道 [Mouse Passage] 03 - 衣装部屋 [Dressing Room] 04 - 玄関 [Entranceway] 05 - 屋敷前 [In front of the Mansion] 06 - 屋敷はずれの森 [Forest on the outskirts of the mansion] 07 - 城門広場 [Castle Gate Plaza] 08 - 正面通路 [Front Passage] 09 - 大広間 [Reception Hall] 0A - 大階段 [Large Stairway] 0B - 廊下 [Corridor] 0C - 控え室 [Waiting Room] 0D - 衣装部屋 [Dressing Room] 0E - ネズミの通り道 [Mouse Passage] 0F - 衣装部屋 [Dressing Room] エンチャンテッド・ドミニオン [Enchanted Dominion] XX = 04 YY - Room 01 - 魔女の城 牢屋 [Witch s Castle Dungeon] 02 - 魔女の城 門 [Witch s Castle Gate] 03 - 魔女の城 玉座の間 [Witch s Castle Throne Room] 04 - 魔女の城 地下 [Witch s Castle Basement] 05 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 06 - 魔女の城 入口 [Witch s Castle Entrance] 07 - 森 水辺 [Forest Waterside] 08 - 森 広場 [Forest Clearing] 09 - 橋 [Bridge] 0A - 橋 [Bridge] 0B - 謁見の間 [Audience Chamber] 0C - 謁見の間 [Audience Chamber] 0D - 予備 [Spare] 0E - 廊下 [Corridor] 0F - オーロラの部屋 [Aurora s Room] 10 - 屋根裏部屋 [Loft] 11 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 12 - オーロラの部屋 [Aurora s Room] 13 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 14 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 15 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 16 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 17 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 18 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 19 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 1A - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 1B - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 1C - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 1D - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 1E - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 1F - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 20 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 21 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 22 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 23 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 24 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 25 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 26 - 魔女の城 祭壇の間 [Witch s Castle Altar Room] 27 - 魔女の城 門 [Witch s Castle Gate] 不思議な塔 [Mysterious Tower] XX = 05 YY - Room 01 - 塔 魔法使いの部屋 [Tower Sorceror s Loft] 02 - 不思議な塔 [Mysterious Tower] 03 - 塔 エントランス [Tower Entryway] 04 - 塔 魔法使いの部屋 [Tower Sorceror s Loft] レイディアントガーデン [Radiant Garden] XX = 06 YY - Room 01 - 城外庭園 [Castle Garden] 02 - エントランス [Entrance] 03 - 中央広場 [Central Plaza] 04 - 水路 [Waterway] 05 - 住宅街 [Residential Area] 06 - 動力炉 [Nuclear Power Reactor] 07 - 噴水広場 [Fountain Plaza] 08 - マーリンの家 [Merlin s House] 09 - 庭園 [Garden] 0A - 正面扉口 [Postern] 0B - 浄化施設 [Restoration Site] 0C - 城外庭園 [Castle Garden] 0D - 中央広場 [Central Plaza] 0E - 中央広場 [Central Plaza] イベント専用 [Event-Only] XX = 07 YY - Room 01 - ルーイの遺跡 広場 [Louie s Ruins Plaza] 02 - ルーイの遺跡 通路 [Louie s Ruins Pathway] 03 - 分岐点 [Crossroads] 04 - 地下遺跡 入口 [Underground Ruins Entrance] 05 - 地下遺跡 通路1 [Underground Ruins Passage 1] 06 - 地下遺跡 通路2 [Underground Ruins Passage 2] 07 - 地下遺跡 広場 [Underground Ruins Plaza] 08 - 遺跡隣接ジャングル [Jungle Ruins] 09 - 高台 [Mountainside] 0A - ジャングル [Jungle] 0B - 人間の村近くの川 [Village by the River] 0C - 湿地 [Swamp] 14 - 闇の世界 下層 15 - 闇の世界 中層 16 - 闇の世界 上層 17 - 闇の狭間 18 - 闇シンデレラ城(FM) 32 - 異空の回廊 [Strange Space Corridor] 33 - ブランク [Blank] 34 - 闇の世界 [World of Darkness] 35 - wmイベント用 [wmEvent] オリンポスコロシアム [Olympus Colosseum] XX = 08 YY - Room 01 - コロシアム 入口広場 [Colosseum Entrance] 02 - コロシアム ロビー [Colosseum Lobby] 03 - コロシアム 西 [Colosseum West] 04 - コロシアム 東 [Colosseum East] 05 - テーベの町 [City of Thebes] 06 - コロシアム 東 [Colosseum East] ディープスペース [Deep Space] XX = 09 YY - Room 01 - トゥーロ星 収容区画 [Tulo Star Housing Block] 02 - トゥーロ星 転送室 [Tulo Star Transfer Room] 03 - 宇宙船 転送室 [Spaceship Transfer Room] 04 - 船内通路 [Ship s Passage] 05 - コントロールルーム [Control Room] 06 - 拘束室 [Restraining Area] 07 - 接続区画 [Union Block] 08 - 機関室 [Engine Room] 09 - 出撃デッキ [Sortie Deck] 0A - 船体外壁 [Hull s Outer Wall] 0B - 宇宙 [Outer Space] 0C - 船内通路 [Ship s Passage] 0D - 異空の回廊 [Strange Space Corridor] 0E - 機関室入口 [Engine Room Entrance] デスティニーアイランド [Destiny Islands] XX = 0A YY - Room 01 - 離島 浜辺 [Island Beach] 02 - 離島 浜辺 [Island Beach] 03 - 離島 浜辺 [Island Beach] 04 - 本島 浜辺 [Main Island Beach] ネバーランド [Neverland] XX = 0B YY - Room 01 - 岬 [Cape] 02 - 崖道 [Cliff Path] 03 - 人魚の入り江 [Mermaid Lagoon] 04 - 海岸 [Coast] 05 - ジャングル [Jungle] 06 - ピーターの隠れ家 [Peter s Hiding Place] 07 - 渓谷 [Canyon] 08 - 集落 [Settlement] 09 - 虹の滝 下部 [Rainbow Waterfall Lower] 0A - 虹の滝 中部 [Rainbow Waterfall Middle] 0B - 虹の滝 頂上 [Rainbow Waterfall Peak] 0C - ドクロ岩 外 [Skull Rock Outer] 0D - ドクロ岩 中 [Skull Rock Inner] 0E - 夜空 [Night Sky] ディズニータウン [Disney Town] XX = 0C YY - Room 01 - 書斎 [Library] 02 - メイン会場 [Main Grounds] 03 - フルーツボール広場 [Fruit Bowl Plaza] 04 - レースコースA [Race Course A] 05 - レース会場前 [Meeting before the race] 06 - からくり部屋 [Trick Room] 07 - ピートの遊技場 [Pete s Amusement Center] 08 - レースコースB [Race Course B] 09 - レースコースC [Race Course C] 0A - レースコースD [Race Course D] 0B - 異空の回廊 [Strange Space Corridor] 0C - レース受付 [Race Information Desk] 0D - アイス専用 [Ice-Only] 0E - フルーツボール専用 [Fruit Bowl Only] キーブレード墓場 [Keyblade Graveyard] XX = 0D YY - Room 01 - 荒野 [Wasteland] 02 - 古戦場 [Ancient Battlefield] 03 - 砂嵐の道 [Sandstorm Path] 04 - 嵐の中 [Inside the Storm] 05 - 嵐の中 [Inside the Storm] 06 - 嵐の中 [Inside the Storm] 07 - 峡谷 [Canyon] 08 - キーブレード墓場 [Keyblade Graveyard] 09 - キーブレード墓場 [Keyblade Graveyard] 0A - キーブレード墓場 [Keyblade Graveyard] 0B - 思念の檻 [Sentiment Cage] 0C - キーブレード墓場 [Keyblade Graveyard] 32 - ヴェントゥスの精神世界 [Ventus s Heart World] 33 - ヴェントゥスの精神世界 [Ventus s Heart World] 34 - ヴェントゥスの精神世界 [Ventus s Heart World] 35 - ソラの精神世界 [Sora s Heart World] 36 - テラ=ゼアノートの精神世界 [Terra Xehanort s Heart World] [BSOD] 37 - キーブレード墓場 [Keyblade Graveyard] 38 - 荒野 [Wasteland] ミラージュアリーナ [Mirage Arena] XX = 0F YY - Room 01 - ロビー [Lobby] 02 - コロシアム [Colosseum] 03 - アリーナ [Arena] 04 - 荒野 [Wasteland] 05 - ピンボール [Pinball] 06 - 接続区画 [Union Block] 07 - ねずみの通り道 [Mouse Passage] 08 - 屋敷はずれの森 [Forest at the edge of the mansion] 09 - ドクロ岩 中 [Skull Rock Inner] 0A - 謁見の間 [Audience Chamber] 0B - 前庭 [Vestibule] 0C - 山頂 [Mountain Path] 0D - 出撃デッキ [Sortie Deck] 0E - 船体外壁 [Hull s Outer Wall] 0F - アリーナ [Arena] コマンドボード [Command Board] XX = 10 YY - Room 01 - DP 旅立ちの地　えんけい [DP Land of Departure Background] 03 - CD シンデレラ　えんけい [CD Cinderella Background] 09 - LS リロ スティッチ　えんけい [LS Lilo and Stitch Background] 0B - PP ピーターパン　えんけい [PP Peter Pan Background] 0C - DC ディズニーキャッスル　えんけい [DC Disney Castle Background] 12 - WP くまのプーさん　えんけい [WP Winnie the Pooh Background] ワールドマップ [World Map] XX = 11 YY - Room 01 - wm01 100エーカーの森 [100 Acre Wood] XX = 12 YY - Room N/A 謎の荒野 [Mysterious Wasteland] XX = 13 YY - Room N/A ジャンフェス(sw10) [Jump Festa(sw10)] [These don t work. Just here for completion s sake] XX = 17 YY - Room 01 - ジャンフェス(cd07) [Jump Festa(cd07)] 02 - ジャンフェス(cd09) [Jump Festa(cd09)] 03 - ジャンフェス(sb10) [Jump Festa(sb10)] 0A - シンデレラ城下町 [Cinderella Castle Town] 0B - ポリゴンぶんかつけんしょ [Polygon Partition Palace] (DON T. ASK.)

• パンダwiki - Oracle Aleria

  https://w.atwiki.jp/bicycle_panda/pages/28.html

  Greenscale s Blight Oracle Aleria Health 1,038,023 Abilities Necrotic Energy Puts a curse on one random member of the raid. That person becomes a “bomb” and must move out of LoS of the raid. If this person fails to move out, the raid will wipe. It has an 8second timer. Spirit Volley Does about 2500 damage to each person in the raid, once every 10-15 seconds. Add Spawned Necrotic Werewolf Spawns at the start of the fight. “Ranged Werewolf”. Health 590,875 Abilities Necrotic Miasma Stacking damage aura that deals 400 damage a stack. Stacks 10 times. Necrotic Binding Debuff applied to the werewolf that gives 10% movement speed reduction whenever it is hit. Stacks 5times. Primal Werewolf Spawns at the start of the fight. “Melee Werewolf”. Health 590,875 Abilities Primal Thrash Frontal cleave. Used sparsely. Invigorating Pollen Starts spawning at 2 corners, then once Aleria spawns, at all 4 corners. Health 7,984 Abilities If these reach either the werewolves of Aleria, it gives them a stacking buff. Strategy On the pull, Oracle Aleria becomes immune. Her two defenders transform into werewolves and must be picked up by the two tanks. The wolves must be killed at or near the same time to prevent them from enraging. One werewolf is a “melee werewolf” and one is a “ranged werewolf”, meaning they must be DPS d by either “melee” or “ranged”. The reason for this, is that the “ranged werewolf” has a stacking damage aura, that will gib melee. There are two strategies to deal with the “ranged werewolf”. Either a rogue tank can pick him up and tank him in place, or a ranged tank/dps hybrid can kite him in a circle around Oracle Aleria. Once the werewolves have spawned, the melee tank will pull his werewolf to the right and tank him up against the wall, while the ranged tank will either pull his to the wall or begin kiting. All raid members will stack on melee, behind the “Melee Werewolf”. During this time, all DPS must kill Invigorating Pollen as they approach the werewolves DPS will be split on the werewolves, with ranged on the Necrotic Werewolf and melee on the Primal Werewolf. It is very important that both werewolves be killed at or near the same time as eachother to prevent them from enraging. During this time, Oracle Aleria will be casting Necrotic Energy and Spirit Volley. The raid will wipe if the person with Necrotic Energy does not run out of LoS. Necrotic Energy is emoted, and the person is marked with a curse. Once both werewolves are dead, Aleria will transform into a werewolf and one tank will pick her up. She should be tanked in the middle of one of the walls, as to make it easier to kill Pollen before they reach her. Invigorating Pollen will now be spawning from all corners, and must be DPS d down asap. She has no new abilities and is essentially a tank and spank. Tank Damage Low on the “Melee tank”. Can be very high on the “Ranged Tank” if the werewolf is not kited. Raid Damage Fairly low. 1 Chloro and 1 Bard is more then enough to cover raid healing. Suggested Raid Comp 2 Tanks 3 Clerics (1x 51 puri, 1x W/S, 1x P/S) 2 Chloro 1 Bard 1 Archon 11 DPS (even split of ranged and melee is important)

• RAGTIMEMA @ WIKI - LIVEDOOR マイ　アルバム

  https://w.atwiki.jp/ragtimema/pages/24.html

  このページはhttp //plaza.rakuten.co.jp/ragtimema/diary/200803220003/からの引用です 楽天市場  インフォシーク  ブログをつくろう！ ブログ/フォト/SNS|口コミ 300328 LIVEDOOR マイ　アルバム （音楽）楽天ブログ 【ケータイで見る】【ログイン】 HIROMI　RUMIANTSEVA カレンダー 2008年3月 日 月 火 水 木 金 土             1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31           前の月 今月 次の月 [PR]高濃度ビタミンＣ美容液で毛穴集中ケア キーワードサーチ  を       で検索 楽天ブログから  を 日記フォト動画 カテゴリ ・カテゴリ未分類(39) ・旅行(35) ・ラグタイム(8785) ・音楽(182) ・思い出(351) ・ライブ・コンサート(276) ・料理(66) ・ジャズ(45) ・社会問題(55) ・映画(19) バックナンバー ・2008年3月 ・2008年2月 ・2008年1月 ・2007年12月 ・2007年11月 モバイル   ケータイに このブログの URLを送信！ おすすめリンク Loading now.... おすすめアイテム ライフアルバム Half Dollar Page Work and Community in the Jungle Chicago s Packinghouse Workers, 1894-1922 ragtimemaの日記 │ 前へ│次へ │一覧│コメントを書く｜ 2008年03月22日   LIVEDOOR マイ　アルバム [ ラグタイム ]     【コミュニティ】 ●COLORS　｢ラグタイム｣http //clrs.jp/k_home.php?kid=2660 ●GOO ｢ラグタイム｣http //home.goo.ne.jp/community/1632 ●にほんブログ村 ｢ラグタイム｣http //music.blogmura.com/tb_entry84267.html ●MSN コミュニティ ｢ラグタイム｣http //groups.msn.com/9v163fmfe788kgus1pdig17gv0/ ●PLAYLOGの『ラグタイム＆ストライド・ピアノ (ジャズ)』http //playlog.jp/c/ragtime/ ●freemlの『ラグタイム＆ストライド・ピアノ (ジャズ)』http //www.freeml.com/ragtimema ●FC2のコミュニティ ｢ラグタイム｣ http //blog21.fc2.com/control.php?mode=sns_community process=community_detail community_key=4135 ●BILLIE HOLIDAYhttp //jazzfan.so-netsns.jp/?m=pc a=page_c_home target_c_commu_id=51 ●DINAH WASHINGTONhttp //jazzfan.so-netsns.jp/?m=pc a=page_c_home target_c_commu_id=52 【写真】 ●マイ　アルバム http //www.photohighway.co.jp/tp/51_f.asp?key=1726267 un=51003 m=0 pa= Type=51 ●マイ　フォトhttp //pics.livedoor.com/u/nqb30846/ ●楽天広場フォトhttp //photo.space.rakuten.co.jp/NWMyYjlkNGU4MjYw ●LIVEDOOR マイ　アルバムhttp //pics.livedoor.com/u/nqb30846/albums ●OCNフォトフレンドhttp //photofriend.jp/profile/38004/最終更新日  2008年03月22日 00時17分45秒コメント(0)|トラックバック(0)|コメントを書く タグ：LIVEDOORマイ　アルバム,裕美・ルミィヤンツェヴァ,ラグタイム この記事のトラックバックURL： http //tb.plaza.rakuten.co.jp/ragtimema/diary/200803220003/c1bfc/ Loading now.... ■コメント お名前   タイトル 顔選択普通うれしい悲涙アイタタえ〜っムムッないしょ メッセージ   ・メッセージ本文は全角で800文字までです。 ・書き込みに際しては楽天ブログ規約の禁止事項や免責事項をご確認ください ・ページの設定によっては、プルダウンで「顔選択」を行っても、アイコンが表示されません。ご了承ください。 │ 前へ│次へ │一覧│コメントを書く│一番上に戻る│ Powered By Copyright (c) 1997-2008 Rakuten, Inc. All Rights Reserved.

• yeshuurao@ ウィキ - Telecom Freelance Marketplace

  https://w.atwiki.jp/yeshuurao/

  Freelance Marketplace for Telecom engineers No matter where you are in the world, FE is connecting engineers and telecoms every day. Nowhere is too far away - and even remote jobs can be handled easily through our global platform. When a telecom engineer instead chooses to use a freelance marketplace to find work, the results can be a lot more fulfilling. Jobs that exist on the telecom freelance marketplace are things that they may never have had the chance to do at their traditional job. FieldEngineer.com allows one to easily outsource work and build a high-quality team of the world s best freelancers. The site provides an environment where one who is in need of a engineering skills job or any other IT team, can post a job. Shortly after the post is made, Outsource s top freelancers will then bid on the posted job and upon reaching an agreement, freelancers can begin to work. As we know Telecom designing is one of the slightest known professions and college courses. Due to an influx of telecom engineers into the freelance marketplace, the competition is quite high. FieldEngineer is the best freelance marketplace for telecom engineers. Find freelance Telecommunications Engineering work on Field Engineer from Telecom Freelance Marketplace allows businesses to connect with telecom IT field engineers from around the world and cooperate on various projects. For more information https //www.fieldengineer.com/

• PlayStation Home@Wiki - メーカー/Sony Computer Entertainment

  https://w.atwiki.jp/playstationhome/pages/1106.html

  ▽メーカー一覧CapcomCodeglue B.V.Electronic ArtsElectronic Entertainment Expo 2011Electronic Entertainment Expo 2012FromSoftwareGranzellaHellfire GamesHudson SoftIREM SOFTWARE ENGINEERINGLIAR GAMELockwood PublishingLOOT™Mass Media GamesNAMCO BANDAI GamesnDreamsNIPPON ICHI SOFTWAREO-TwoPlayStation®HomeQ-GamesRed BullSCEJSONYSony Computer EntertainmentSPE-WPFSQUARE ENIXTECMO KOEI GAMESUbisoftWill日本コカ・コーラ照英王国-----▽ラウンジ一覧▼プライベートラウンジパーソナルスペース一覧クラブハウス一覧▼パブリックラウンジ常設ラウンジ（Homeラウンジ）一覧特設ラウンジ一覧▼グローバルラウンジグローバルラウンジ一覧     目次 Sony Computer EntertainmentURL公式サイト Facebook Twitter ラウンジパーソナルスペース クラブハウス 常設ラウンジ 特設ラウンジグローバルラウンジ インタラクティブアイテムゲーム オブジェクト イベント     内容 Sony Computer Entertainment URL 公式サイト http //www.scei.co.jp/ http //www.jp.playstation.com/ Facebook http // Twitter http //twitter.com/PlayStation_jp ラウンジ パーソナルスペース 　 クラブハウス 　 常設ラウンジ 　 特設ラウンジ 　 グローバルラウンジ 　 インタラクティブアイテム ゲーム 　 オブジェクト 　 イベント 　 コメント欄 ※掲載情報に関するコメントはこちらへどうぞ（スパム防止のため、URLの投稿は禁止しています）。 ※Wiki編集方法が分からない方は、こちらか情報提供板へ情報をお寄せください。文章体で書き込んで頂けると、Wikiへの反映もはやくなるかと思います。 ※攻略等の質問は質問掲示板へどうぞ。 名前 コメント すべてのコメントを見る